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Antiquities of Samarkand. Tomb of the Saint Kusam-ibn-Abbas (Shah-i Zindah) and Adjacent Mausoleums. Mausoleum of Akhmed Khodzha. Tiles on the Facade

1865
These two watercolors of facade details of the Khodzha Akhmed Mausoleum at the Shah-i Zindah necropolis in Samarkand are from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72, under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire's Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Shah-i Zindah (Persian for “living king”) is revered as a memorial to Kusam-ibn-Abbas, a cousin of the Prophet Muhammad. The Khodzha Akhmed Mausoleum was built in the 1360s, presumably for a local spiritual leader. Situated at the end of the necropolis passageway in the northern cluster of shrines, the monument displays vibrant polychrome ceramic ornamentation with floral, geometric, and inscriptional patterns. The facade arch--or peshtak--is framed by decorative bands, often of carved, glazed terra-cotta. These sketches show fragments of ornamental motifs, including eight-pointed stars that form strips flanking an inscriptional band in the Thuluth style. Although simplified, such watercolors conveyed color information unavailable in the photography of that period.

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Filename
3905.jpg
Copyright
acku Afghanistan
Image Size
1800x2203 / 139.7KB
Contained in galleries
UZBEKISTAN
1865<br />
These two watercolors of facade details of the Khodzha Akhmed Mausoleum at the Shah-i Zindah necropolis in Samarkand are from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72, under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire's Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Shah-i Zindah (Persian for “living king”) is revered as a memorial to Kusam-ibn-Abbas, a cousin of the Prophet Muhammad. The Khodzha Akhmed Mausoleum was built in the 1360s, presumably for a local spiritual leader. Situated at the end of the necropolis passageway in the northern cluster of shrines, the monument displays vibrant polychrome ceramic ornamentation with floral, geometric, and inscriptional patterns. The facade arch--or peshtak--is framed by decorative bands, often of carved, glazed terra-cotta. These sketches show fragments of ornamental motifs, including eight-pointed stars that form strips flanking an inscriptional band in the Thuluth style. Although simplified, such watercolors conveyed color information unavailable in the photography of that period.