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Antiquities of Samarkand. Shrine of Chupan-Ata. General View from the Southwest

1868
This photograph of the Chupan-Ata mausoleum on the outskirts of Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. This view of the mid-15th century Chupan-Ata mausoleum (mazar) reveals severe damage to both the structure and the dome, as well as to the surrounding wall of sun-dried (adobe) brick. The elevated position of the structure might have increased the risk of damage in this active seismic zone, yet the high dome, raised on a cylinder, is structurally intact. The name of the mazar means “father of shepherds,” a reference to a popular local cult. No traces of ceramic decoration remain; the exterior seems to have been surfaced with a stucco-like material as a conservation measure. The mausoleum has a centralized design, with four arches rising from the basic cuboid structure and beveled corners buttressing the cylinder beneath the dome. The figure standing on the roof gives an idea of the scale. The sun-baked ground appears to be littered with brick rubble.

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3741.jpg
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acku Afghanistan
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2302x1800 / 403.4KB
Contained in galleries
UZBEKISTAN
1868<br />
This photograph of the Chupan-Ata mausoleum on the outskirts of Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. This view of the mid-15th century Chupan-Ata mausoleum (mazar) reveals severe damage to both the structure and the dome, as well as to the surrounding wall of sun-dried (adobe) brick. The elevated position of the structure might have increased the risk of damage in this active seismic zone, yet the high dome, raised on a cylinder, is structurally intact. The name of the mazar means “father of shepherds,” a reference to a popular local cult. No traces of ceramic decoration remain; the exterior seems to have been surfaced with a stucco-like material as a conservation measure. The mausoleum has a centralized design, with four arches rising from the basic cuboid structure and beveled corners buttressing the cylinder beneath the dome. The figure standing on the roof gives an idea of the scale. The sun-baked ground appears to be littered with brick rubble.