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Antiquities of Samarkand. Inner Courtyard of the Shir Dar Madrasah (Eastern Side). Detail of the Upper Section of the Main Niche

1868
This photograph of the interior courtyard of the Shir Dar Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed of three major examples of a madrasah (religious school). The second madrasah in the ensemble, the Shir Dar, was built in 1619-36, during the Astrakhanid dynasty. Despite significant damage over the centuries, it remains one of the most lavishly ornamented monuments in Central Asia. The madrasah consists of a rectangular courtyard enclosed by a two-story arcade with an iwan (vaulted hall, walled on three sides, with one end open) and mosque in the east. This view shows the upper part of the east wall niche with the lattice work of the central window. The niche is covered with ceramic work composed of polychrome tiles in geometric and botanical patterns. The pointed window arch is framed by an inscription band in the Thuluth cursive style. Visible at the top are remnants of the “stalactite” decorative elements of the arch vault.

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3803.jpg
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acku Afghanistan
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2271x1800 / 516.5KB
Contained in galleries
UZBEKISTAN
1868<br />
This photograph of the interior courtyard of the Shir Dar Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed of three major examples of a madrasah (religious school). The second madrasah in the ensemble, the Shir Dar, was built in 1619-36, during the Astrakhanid dynasty. Despite significant damage over the centuries, it remains one of the most lavishly ornamented monuments in Central Asia. The madrasah consists of a rectangular courtyard enclosed by a two-story arcade with an iwan (vaulted hall, walled on three sides, with one end open) and mosque in the east. This view shows the upper part of the east wall niche with the lattice work of the central window. The niche is covered with ceramic work composed of polychrome tiles in geometric and botanical patterns. The pointed window arch is framed by an inscription band in the Thuluth cursive style. Visible at the top are remnants of the “stalactite” decorative elements of the arch vault.